一米布匠人设计(广州)有限公司

Dark Blue Profound Charm

"Dark Blue Profound Charm" Top The design inspiration of this top stems from the integration of the elegant demeanor of traditional Chinese clothing and modern aesthetics. Taking dark blue as its main color tone, it exudes a calmness like the night sky, aligning with the restraint and solemnity in Oriental culture. The stand-up collar design inherits the classic element of traditional Chinese clothing, highlighting a dignified posture. The contrasting blue details on the cuffs act like a finishing touch—they not only retain the exquisiteness of traditional clothing but also add agility and a modern vibe to the overall look. This allows the top to not only embody a retro charm but also better cater to current wearing needs and fashion expressions.

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Ink-Stained Flower Traces

"Ink-Stained Flower Traces" Top The design inspiration for this "Ink-Stained Flower Traces" top comes from the exploration of integrating traditional Chinese classical aesthetics with modern wearing needs. Taking deep black as the base color, it is covered with floral and plant patterns—patterns that seem to be extracted from traditional ink wash paintings, creating an elegant artistic conception reminiscent of an Oriental garden. The use of frog buttons is an inheritance of the classic symbols of traditional Chinese clothing, demonstrating dignity and delicacy. The slim-fit cut, on the other hand, conforms to modern aesthetics, allowing traditional charm to blend naturally into daily life. It is as if the poetry and restraint of the East are woven into the texture of the fabric: the top not only retains cultural connotations but also adapts to current life scenarios, creating an image that combines classical temperament and modern fashion sense for the wearer.

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Ink-Blooming Crimson Splendor

"Ink-Blooming Crimson Splendor" Top The design inspiration for this "Ink-Blooming Crimson Splendor" top comes from the ingenious integration of traditional Oriental aesthetics and modern fashion. Taking classic black as the base color—like a night sky holding starlight—the dotted crimson patterns resemble sparks blooming in the dark night: lively and vivid. They not only inherit the exquisite expressive meaning of traditional Chinese patterns but also add a touch of playfulness from modern art. The stand-up collar design carries forward the dignified essence of traditional Chinese clothing, while the loose fit and clever color details ensure that, while retaining traditional charm, the top is more in line with contemporary people's pursuit of comfortable and personalized dressing. It is as if the restrained elegance of the East and the free style of the modern era are all woven into the hem of the garment.

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Xuan Luo Reflects the Moon

"Xuan Luo Reflects the Moon" Inspired by the eastern night moon, this design interprets the artistic conception of "moonlight spreading over silk gauze" through Gambiered Canton Gauze. The traditional Gambiered Canton Gauze in dark brown, nearly black, features a texture like a dark celestial canopy, embodying the tactile sense of time. The garment adopts a slightly loose H-shape; the fabric drapes softly, resembling silk gauze under the moonlight, creating a nimble and elegant silhouette when walking. The small standing collar is embroidered with delicate crescent patterns, evoking the new moon in the night sky. The slightly flared cuffs are joined with light apricot thin yarn, which shimmers like moonlight filtering through gauze when the wearer moves. Gambiered Canton Gauze changes color with light: it presents a warm dark brown indoors and shimmers with a silky luster outdoors. This design perfectly recreates the beauty of "the moon moving with the gauze", combining antique charm with modern elegance.

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Chrysanthemum, Bamboo and Perching Birds

The inspiration for "Chrysanthemum, Bamboo and Perching Birds" stems from traditional literati paintings and poetry: the chrysanthemum draws on the reclusive charm from Tao Yuanming's line "Picking chrysanthemums under the eastern fence"; the bamboo embodies the tenacious posture depicted in Zheng Banqiao's works; the lovebirds follow the composition of "living creatures with elegant plants" in classical flower-and-bird paintings, either perching on bamboo or pecking at chrysanthemums. These three elements are integrated into the texture of Xiangyunsha, allowing wearers to feel the gentle warmth of traditional aesthetics.

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